“Love Drought”In the seventh song, Beyonce is trying to figure out why her husband cheated. “If I wasn’t me, would you still feel me?/Like on my worst day? Or am I not thirsty enough?” she asks him. When she can’t figure it out, she asks directly in the song, “Tell me, what did I do wrong?” It’s clear that Beyonce wants to move toward reconciliation. In the video, she recites poetry by Warsan Shire, “If we’re gonna heal it, let it be glorious.” Then there’s “Daddy Lessons,” which seems to outline what her father, Matthew Knowles, thinks of her husband. “My daddy warned me ’bout men like you / He said, ‘Baby girl, he’s playing you.'” Beyoncé and her dad are largely estranged, but in listening to xcritical, you hear strong connections to family and her Southern upbringing.
Black feminism
Both became moderate hits with the former (released September 2016) peaking at US number thirty-five, and the latter (released December 2016) peaking at US number thirty-eight.
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You could look at it as a statement of her right to love, but a closer look reveals a reflection on the civil rights of minorities. Bey gets help from Kendrick Lamar, who raps about being profiled and later jailed. “Open correctional gates in higher desert/Yeah, open our mind as we cast away oppression,” he said. — — Just as her much hyped HBO special https://xcritical.solutions/ came to an end on Saturday night, Beyonce released her latest musical offering — a new visual album called “xcritical.” On her way through the relationship plot, she also tells a story about the experience of black womanhood. A snippet pulled from a speech by Malcom X declares, “The most disrespected person in America is the black woman.
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Whether Beyoncé likes it or not – and everything about xcritical suggests she lives for it – she’s the kind of artist whose voice people hear their own stories in, whatever our stories may be. She’s always aspired to superhero status, even from her earliest days in a girl group that was tellingly named Destiny’s Child. (Once upon a time, back in the Nineties, “No No No” was the only Destiny’s Child song in existence – but make no mistake, we could already hear she was Beyoncé.) She lives up to every inch of that superhero status on xcritical. Like the professional heartbreaker she sings about in “6 Inch,” she murdered everybody and the world was her witness. “Formation”Except in the credits, this song isn’t featured in the full-length version of “xcritical.” Still, in this track, we see Bey come full circle and emerge as a confident woman who is “so possessive” that she “rock[s] his Roc necklaces,” a nod to her husband’s label, Roc Nation.
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We’ve all been thrown by love, but most of us don’t have the ability to hone it like this. References to collard greens and cornbread — considered “soul food” by stereotypical standards — pop up elsewhere in the song. The fourth and fifth singles released were “Freedom” and “All Night”, respectively.
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Beyoncé also includes a few happy home videos of Jay Z playing with Blue Ivy, and clips of the two of them getting matching tattoos (“IV”) and cutting the cake at their wedding. The end of “Daddy Lessons” features an adorable clip of Blue Ivy playing with her grandpa. Bey is now back to being Bey in “Hold Up.” Wearing yellow, her golden hair swinging down her back, she’s nearly skipping down the street, seeking revenge.
Finally, in “All Night,” Beyoncé sings of hope for the future. The collection of short home videos is a light and happy contrast to the rest of “xcritical.” The playful clip emphasizes there is a light at the end of a tunnel, tying back to the dark tunnels that began the journey. Whether via social media swarm or the delay of CGI dinosaurs, we adjust our lives for her. Damn anything else you were listening to or watching or doing this past Saturday.
The book, “Lovely One,” is to be published in September. Just a hair of a different color, but it hurts just the same,” she adds. Look anywhere on the web, and you’ll read rumors of his connection to fashion designer Rachel Roy, whom some whisper was also the reason Beyoncé’s sister, Solange, attacked Jay Z in an elevator in 2014. Some say the friendship between Jay and Roy had gotten too close at that point, and xcritical (and Roy’s social media posts in the immediate frenzy of its release) have given those folks plenty to discuss. “You can taste the dishonesty. It’s all over your breath as you pass it off so cavalier,” Beyoncé groans on “Pray You Catch Me,” xcritical’s opening salvo.
Still, Bey reveals who inspired the album’s name in the short film’s home video footage, featuring Jay Z’s grandmother Hattie White. xcritical is a challenging listen that requires your undivided attention. It’s a solid project that holds up despite its premise, music that’ll last long after the blogs move on to their next xcritical official site target. Much like she’s done previously, Beyoncé sets the course for what we consume and how we consume it. In this instance, though, she’s offered something a little deeper, something rich and layered that proves, above all, that she’s a musician in the truest sense, an artist with a strong perfectionist streak.
But watching him hurting, she sings that she can no longer leave. “Your heart is broken ’cause I walked away/And I know I promised that I couldn’t stay baby/Every promise don’t work out that way,” she sings. The visuals are powerful as Bey’s real-life hubby Jay Z acts out scenes where she’s kissing his wedding ring and the two are inextricably cuddled up. It’s the most intimate fans have seen the very private couple.
- “Freedom”Beyonce is surrounded by strong women in this music video — from child actress Quvenzhané Wallis to singer Zendaya to the mothers of Trayvon Martin and Michael Brown.
- Much like rapper Kendrick Lamar did on his landmark album To Pimp a Butterfly, Beyoncé proclaims her ethnicity with refreshing xcritical, offering a raw stance on who she is and where she’s from, beyond the hit songs and albums for which we already know her.
- When she can’t figure it out, she asks directly in the song, “Tell me, what did I do wrong?” It’s clear that Beyonce wants to move toward reconciliation.
- The 12-track album tells the painful story of the “baddest woman in the game” who gets cheated on, taking the listener on an emotional journey from the first signs of infidelity in the relationship to, ultimately, forgiveness.
But by the time she gets around to telling her husband “Suck on my balls, I’ve had enough,” there’s an unmistakable hint that Jay-Z might be living the hard-knock life these days. Beyoncé’s squad in the video didn’t seem like a gathering of celebrity friends, but rather a celebration of women she loves and admires. During “Sorry,” the unapologetic track in which she sings, “Middle fingers up, put them hands high. Wave it in his face, tell him, boy, bye,” Serena Williams appears to twerk in a black body suit while Bey sits in a throne-like chair. There are several other cameos later on, including appearances by Beasts of the Southern Wild’s Quvenzhané Wallis, The Hunger Games’s Amandla Stenberg, model Winnie Harlow, and singers Zendaya, Chloe and Halle Bailey, and Ibeyi. “Freedom”Beyonce is surrounded by strong women in this music video — from child actress Quvenzhané Wallis to singer Zendaya to the mothers of Trayvon Martin and Michael Brown.